Customer must enter coupon code during Checkout to receive discount.Simply enter the code BELLS in the Promo Code field on the shopping cart page and click Apply to receive your discount. Ellen's III.Today only, get 25% off your order of $25 or more!.Down On The Banks of The O-Hi-O (1927) (1).Don't Sit Under the Apple Tree (with Anyone Else but Me) (1942) (1).Did God Make Honky Tonk Angels (1951) (1).Come All Ye Tramps And Hawkers (1890's) (1).Chanson De Marie Antoinette (1770's) (1).Champagne Charlie Is My Name (1932) (1).Can't You Hear That Night Bird Crying (1936) (1).Bye and Bye When The Morning Comes (1927) (1).Bye and Bye We're Going To See The King (1926) (1).Bury Me Not On the Lone Prairie (1907) (1).Bumble Bee's New Muddy Water (1937) (1).

Auf Meiner Ranch Bin Ich König (1962) (1).

As a Beam O'er the Face of the Waters (1808) (1).

All You Fascists Bound To Lose (1944) (1).All Round My Hat (early 18th Century) (1).Alice's Restaurant Massacree (1967) (1).(Everything's All Right) In My Father's House (1922) (1).Marie Cahill, musical comedy-star, heard the song at a stage party and interpolated it in her musical 'Sally in Our Alley' (1902), where she brought down the house with it from then on this song became basic to her repertory. At that time the title of the song was 'If You Lak-A-Me' (the first words of the chorus).Ĭole's publisher suggested the change of title to 'Under The Bamboo Tree' The song was introduced in 1902 by Cole and Johnson. Even though the lyric was authored by 2 African Americans, it would be found terribly offensive today. Its setting is an African jungle where a Zulu and a dusky maid become convinced that two men can live as cheaply as one. Resulting song, ' Under the Bamboo Tree', sold over 400,000 copies, making it one of the biggest sellers ever.ĭescribed as 'the king of ragtime tunes', it was one of the most significant and succesful ragtime songs before 1910. Rosamond finally conceded, Cole had already written the words.

Responded, 'What kind of a musician are you anyway? Been to the BostonĬonservatory and can't change a little old tune around.' By the time When Rosamond objected that this was sacrilegious, Cole Hearing the song, Cole got the idea to rearrange it and work it into Hum the African-American spiritual Nobody Knows the Trouble I've Seen. Were walking back uptown after a performance one day when he began to The act with a soft-shoe routine by Cole. Works on the piano, then the pair sang their own compositions and ended Dressed in evening clothes, Rosamond played classical Rosamond Johnson.īy 1901, Bob Cole and Rosamond Johnson had put together a sophisticated

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